Tomoki Konita/Paris International Music Academy & Vienna International Music Seminar

-First of all, please tell us a brief introduction and your biography up to now.

Konita: I am currently a second year high school student. When I was little, my mother saw me singing Ken Hirai's songs all the time, and she inspired me to learn singing, so I was introduced to music from an early age. When I was in the 6th grade of elementary school, I fell in love with Jose Carreras' songs and wanted to be able to move people's hearts, so I started performing in opera.
-Have you ever attended a seminar?Have you been abroad?

Konita: When I was in the 6th grade of elementary school, I went to Australia for three weeks as part of my school's study abroad program.
Also, when I was young, I went on a family trip to the United States and Singapore.
-What made you want to go to this class?

Konita: I wanted to study abroad because I was interested in overseas vocal music education, so I chose Paris and Vienna, where opera is well-developed. Another reason is that I was attracted to sensei, which was introduced by AndVision this time.
-How many participants were there?What kind of people were participating?

Konita: There were 2 people in the sensei class at Paris International, 4 Japanese and 6 local.
There were around 14 people in the Vienna International class, and many of them were from Asia. Sensei's class was divided into 2 classes with 6-7 students in each class.
-What was the schedule for the seminar?

Konita: At Paris International, we had 1-minute lessons every day.
At Vienna International, we basically had four 1-minute lessons each, but depending on how my throat was feeling that day, I was given 40 minutes, and other days it was 4 minutes, depending on the situation.
-What kind of person was sensei?

Konita: Both of them were wonderful people. Daniel Ottewaele's sensei was a humorous sensei who would give lessons while dancing. He taught me how to use my whole body and gave easy-to-understand lessons about how to use my body necessary for singing.
Sona Ghatsarian sensei is a very friendly sensei, and even though she had a difficult time with the large number of students, she took each lesson seriously.
-What did you learn in the lesson?Is there anything that left an impression on you as a result of what you learned?

Konita: He seemed to be reluctant to express his emotions, but during a lesson with Daniel Sensei, he told him, ``Sing whatever you like while walking.'' That's when he expressed his emotions for the first time. I started to realize that it's okay to sing like that.
Sona sensei was taught mainly about how to pronounce it and the meaning of the lyrics, and they taught us that there are various ways to express the meaning of the lyrics.
-In what language did you take the lesson?

Konita: Daniel Sensei's lessons were in French and English. We basically communicated in English, and the interpreter explained things that were difficult to express in English. Sona sensei's lessons were basically in German, but sensei also speaks English, so we talked to her in English and even taught her lessons in English.
-Did you have a concert or closing ceremony at the end of the lesson?

Konita: There was no Paris International, but there was an opening concert at the Vienna International, and there was also a student concert at the end.
-Did you have the opportunity to perform in public (concerts, competitions, etc.) during the course?

Konita: Yes. At Paris International, there was an in-class concert at the end.
There were three competitions and a concert at Vienna International.
I also personally accompanied someone who was planning a Japanese-French picnic in Paris, and I had the opportunity to listen to my performance in a park for people to interact with.
-Where did you practice?How long have you been able to practice?

Konita: At Paris International, I was able to practice at the school's facilities. All rooms had pianos, so I was able to practice by myself every day in a large room. At Vienna International, I basically practiced in my hotel room.
-What did you do outside of the lessons?

Konita: We held a Japan-France picnic in Paris. As part of Tobitate's activities, we held calligraphy trial sessions and gave Japanese presentations to my flat-sharing roommates to help them learn about Japanese culture. In Vienna, we held a calligraphy experience in a park and went to see an opera. I also went to the Louvre Museum and the Mozart House as places to learn about European history, and worked to improve my expressiveness in singing and incorporate cultural elements into myself.
-Where did you stay?how was it?

Konita: In France, I stayed in a shared flat. It was very spacious and even had a tuned grand piano. The time I could play was limited, but there was a practice room at school so it wasn't a problem. There were times when I had fruit, potatoes, and cereal for breakfast, and that was all I needed, but there were also times when I would buy something at the supermarket and make it myself.
I stayed at a hotel in Vienna. There was cleaning every day and it was very clean. I was able to practice without any problems, and I even used the piano practice room in the basement when I was free.
-How did your accommodation and training venue move?

Konita: It's a train. I was a little confused, but when I asked people around town, they kindly told me where to go, so I had no problems.
-What did you have for dinner? How much does it cost to eat out for one meal?

Konita: In both countries, I sometimes cooked for myself or went out to eat with friends.
However, eating out was expensive. I even had to pay for water. Eating out costs around 1 euros per meal. At McDonald's it costs about 20 euros. Everything was delicious, but I really missed the rice.
-Did you have any tips for getting along with people from overseas?

Konita: I think it's about actively talking to the other person yourself.
-Did you have any problems while studying abroad?

Konita: In Vienna, I got involved with drunk people during the day. At times, they seemed to think I didn't understand the language, so I was verbally abused. There were many beggars in both countries, so many people came to ask for money. Also, some Japanese participants actually experienced pickpocketing, which was scary.
-Did you have any moments when you were happy to attend the seminar?

Konita: It was the moment when I realized that I had improved and was glad that my efforts were recognized. I went there to grow, so I'm glad I was able to grow.
-Do you feel like you have grown in any way after studying abroad?

Konita: The first thing is that I have become able to express my emotions. Now I feel like I can express myself this much. Also, I felt a sense of growth when I sang German songs and when I got results in competitions.
-Please tell us the major differences between Japan and your study abroad destination.

Konita: In Japan, if someone is in trouble, there are many people who go to help them, but if you go and talk to the local people, they will be kind to you, but if you remain silent, no one will help you.
-Is there anything you would like to give advice to those who will study abroad in the future?

Konita: It is important to take initiative. Not only relationships but also schedules. There's no point in going to study abroad and locking yourself in your room all the time, so if there's something you don't understand, you need to be willing to look it up, ask questions, and take action.
-What are your future activities?Please let me know if you have a career path.

Konita: One of the purposes of studying abroad was to decide on my future career path, but this experience solidified my resolve to continue singing. I have not decided on my career path after graduation, but I would like to practice vocal music every day and continue pursuing my dream of becoming a tenor singer.
-Thank you for your cooperation.
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