Bowdoin International Summer Workshop

■ Workshop period ■

twenty-second to thirtieth of July 2025
Phase 1: July 2025-6, 28
Phase 2: July 2025-7, 19
*You can participate in composing only during the entire period (1st period + 2nd period).

■ Courses held ■

Piano, violin, viola, cello, double bass, harp, percussion instruments, composition

■ Lesson content ■

Private lessons, master classes, chamber music, etc.
* The number of hours may change depending on the level, number of students, and major of the professor and students.

■ Audition ■

It will be a preliminary document / video examination.
*Separately, for the instrumental music course, a simple level check will be conducted to form a chamber music group.In principle, it will be done online before traveling.

■ Workshop venue ■

Bowdoin College

■ Workshop schedule ■

The course schedule will be distributed locally.Please check on-site for details.

<General schedule example>
Day 1: Departure from Japan Local arrival Hotel accommodation near the airport (separate accommodation fee)
Day 2: Start the class by car
~
The day before the last day of the course: Generally the final concert
Last day of the course: End of the course To the airport by car Accommodation at a hotel near the airport (separate accommodation fee)
The day after the last day of the course: Local departure
The day after the last day of the course: Arrival in Japan
* Although it depends on the flight schedule, we recommend that you stay at a hotel near the airport (separate accommodation fee) on the first day (the start date of the course) and the end date of the course.Please contact a &Vision Counselor for details of your itinerary.

■ Pieces / Number of pieces ■

Free song
* Chamber music songs will be specified by the secretariat.

■ Practice room ■

Piano, composition, harp, contrabass, and percussion instruments use the practice room.As a general rule, other musical instruments will be practiced at the accommodation.
*You will need to separately rent a harp etc. at your own risk.Please contact an and vision counselor for details.

■ Concert Opportunity ■

There is a concert of the students selected by the professor.As for the composition, the works of the selected people will be performed.

■ Accommodation ■

Student dormitory (room for 2 to 3 people).With meal (Monday-Saturday: morning / noon / evening, day: brunch, evening)

■ Accommodation period ■

Check-in: Course start date
Check-out: Course end date
* No previous night or extended night
* Although it depends on the flight schedule, we recommend that you stay at a hotel near the airport (separate accommodation fee) on the first day (the start date of the course) and the end date of the course.Please contact a &Vision Counselor for details of your itinerary.

■ Japanese interpreter / local support ■

▽ Local support
And Vision Local staff with telephone support (telephone only)

▽ Japanese interpreter during lessons
Interpretation cannot be arranged during the lesson.

■ Airport transfer ■

Round-trip airport transfer included (Portland International Jetport)
* It will be the designated date and time.It may be full depending on the time of application.In that case, we will arrange a transfer at an additional charge, so please apply as soon as possible.Please contact an And Vision Counselor for details such as flight schedules.

■ Professors ■

Important
The following is the schedule.Please also note that not all professors will be available for all periods (sometimes for a short period of time).

<Whole period>
▽ Composition
Derek Barmel
(American composer)

Andreia Pinto Koheia
(Former associate professor at Jacobs School of Music, Indiana University, USA)

<Phase 1>
▽ Piano
Run dunk
(Associate Professor at the Eastman School of Music, USA; Former Assistant Professor at the University of Cincinnati College of Music, USA)

Pay-Shan Lee
(Professor, New England Conservatory of Music, USA, Former Professor, Faculty of Music, California State University, Northridge, USA)

Soyoung Kate Lee
(Professor, Juilliard School, USA)

Tao Lin
(Former Associate Professor, Conservatory of Music, Lin University, USA)

Julien Martin
(Professor, Juilliard School, USA)

Lisa Stipanova
(Associate Professor, Hugh Hudgeson Music School, University of Georgia, USA)

▽ Violin
Rene Jorusu
(Professor at Eastman School of Music, USA, former pre-college professor at Juilliard School, USA, former professor at Mannes College of Music, USA)

Itzak Rashkovsky
(Professor, Royal College of Music, UK)

Kurt Sasman's House
(Professor, University of Cincinnati Conservatory, USA)

Ani Schnach
(Professor, Royal College of Music, UK)

Robin Scott
(Associate Professor, Eastman School of Music, USA, Member of the American In String Quartet)

Ian Swensen
(Professor, San Francisco Conservatory of Music, USA)

Janet Inn
(Associate Professor, Eastman School of Music, USA, Member of the American In String Quartet)

Itamar Zorman
(Associate Professor, Eastman School of Music, USA)

▽ Viola
Melissa Reardon
(Professor, New England Conservatory of Music, USA)

Carol Rodland
(Professor at the Juilliard School, USA; former professor at the Eastman School of Music, USA)

Philip Inn
(Associate Professor, Eastman School of Music, USA, Member of the American In String Quartet)

▽ Cello
Amir Erdan
(Professor, Faculty of Music, University of Michigan, USA, Former Professor, Oberlin Conservatory of Music, USA)

Paul Katz
(Professor, New England Conservatory of Music, USA)

Alim Kim
(Associate Professor, Eastman School of Music, USA, Chief of the Rochester Philharmonic Orchestra, USA)

David Inn
(Associate Professor, Eastman School of Music, USA, Member of the American In String Quartet)

Jeffrey Zeigler
(Professor at the Mannes School of Music, USA; former Associate Professor at the Frost School of Music, University of Miami, USA; former member of the Kronos Quartet, USA)

▽ Harp
June Han
(Assistant Professor of Peabody Conservatory of America, Lecturer of Conservatory of Yale University of America, Lecturer of Music Department of Columbia University of America, Professor of Pre-College of Juliad Conservatory of America)

▽ Percussion instrument
Luke Lindark Necht
(Lecturer at the Department of Music, Cleveland State University, USA; former professor at the Cleveland College of Music Preparatory School, USA)

<Phase 2>
▽ Piano
Choi Hee-young
(Professor, Peabody Institute of Music, USA)

Eleanor Freer
(Associate Professor, Eastman School of Music, USA)

Pay-Shan Lee
(Professor, New England Conservatory of Music, USA, Former Professor, Faculty of Music, California State University, Northridge, USA)

Tao Lin
(Former Associate Professor, Conservatory of Music, Lin University, USA)

John Nakamatsu
(Professor, San Francisco Conservatory of Music, USA)

Park Chiwon
(Korean pianist)

▽ Violin
Meg Fly Vogel
(University of Illinois, Urbana-Champaign, Associate Professor, Jupiter String Quartet, USA)

Jang Yoo Jin
(Assistant Professor, Eastman School of Music, USA)

Mikhail Kopelman
(Professor, Eastman School of Music, USA)

Nelson Lee
(University of Illinois, Urbana-Champaign, Associate Professor, Jupiter String Quartet, USA)

Ayano Ninomiya
(Professor, New England Conservatory of Music, USA)

Kurt Sasman's House
(Professor, University of Cincinnati Conservatory, USA)

Serge Schwartz
(Professor, Schwob Music School, Columbus State University, USA)

Robin Scott
(Associate Professor, Eastman School of Music, USA, Member of the American In String Quartet)

▽ Viola
Karsten Doctor
(Associate Professor, Oberlin Conservatory of Music, USA)

Karsten Doctor
(Professor, Oberlin Conservatory of Music, USA)

Liz Fly Vogel
(University of Illinois, Urbana-Champaign, Associate Professor, Jupiter String Quartet, USA)

Philip Inn
(Associate Professor, Eastman School of Music, USA, Member of the American In String Quartet)

▽ Cello
Edward Aaron
(Associate Professor, Department of Music, University of Massachusetts Amherst, USA)

Denise Jokik
(Lecturer, Faculty of Music, University of Illinois, Urbana-Champaign)

Paul Katz
(Professor, New England Conservatory of Music, USA)

Alim Kim
(Associate Professor, Eastman School of Music, USA, Chief of the Rochester Philharmonic Orchestra, USA)

Daniel McDonough
(University of Illinois, Urbana-Champaign, Associate Professor, Jupiter String Quartet, USA)

David Inn
(Associate Professor, Eastman School of Music, USA, Member of the American In String Quartet)

▽ Contrabass
Anthony Manzo
(Lecturer, Department of Music, University of Maryland, USA)

▽ Harp
June Han
(Assistant Professor of Peabody Conservatory of America, Lecturer of Conservatory of Yale University of America, Lecturer of Music Department of Columbia University of America, Professor of Pre-College of Juliad Conservatory of America)

▽ Percussion instrument
Luke Lindark Necht
(Lecturer at the Department of Music, Cleveland State University, USA; former professor at the Cleveland College of Music Preparatory School, USA)

■ Qualifications ■

Over 13 years old

■ Price ■

Full period: 2,003,350 yen (2,010,150 yen including tax)
1 period: 1,214,880 yen (1,221,680 yen including tax)

■ What is included in the price ■

Registration fee, course fee (tuition fee, attendance fee, practice room, accompaniment fee if necessary, selected person concert appearance participation fee, concert viewing fee, activity participation fee excluding actual expenses, etc.), facility usage fee, local accommodation arrangement fee , Student dormitory accommodation fee (room for 2 to 3 people), food fee (Monday-Saturday: morning / lunch / evening, Sunday: branch: evening), airport transfer fee, support service fee during local stay (telephone only), overseas international remittance Fees, overseas international remittance bank receipt fees, pre-departure support service fees, set discounts

■ Clarify some of the items not included in the price ■

Airfare, musical instrument rental fee, Japanese translation fee, overseas travel accident insurance fee, city travel fee, telephone fee, all personal expenses during free time, etc.

■ Price / Schedule Supplement ■

●For this course, the audition fee (part of the cost) is 39,000 yen (42,900 yen including tax) + the actual audition fee.Even if you fail the audition, the audition fee of 39,000 yen (42,900 yen including tax) + the actual audition fee will not be refunded.
● Please contact an And Vision Counselor as you may be able to take classes even during the period you have set.
● Depending on the local situation of the new corona infection, online lessons may be offered.Please note that if the course is offered, the fee will be charged excluding accommodation fees.The cancellation policy is based on the terms and conditions.

■ Application deadline ■

First deadline: February 2025, 1, 10, Second deadline: March 2025 2, Third deadline: up to capacity
● Even before the application deadline, the deadline will be closed as soon as the capacity is reached.
● Even after the application deadline, you may be able to apply if there is a vacancy in the course, so please contact the And Vision Counselor.

■Notes■

* If you have an attendant, you will be charged a separate fee such as accommodation.Attendance fees may vary depending on the age of the student.
* If you are a minor, you will generally need to be accompanied, but please contact us.
* Please contact us if you are a group led by sensei.
* Separately, we can arrange a local language school (affiliated school) free of charge.
* Private lessons or group lessons can be arranged separately.
* Please contact an And Vision Counselor for paid rental of musical instruments.
* In addition to the above, please feel free to contact the And Vision Counselor for anything.
* This information is as of December 2024, 10.Information may change depending on the year and local circumstances, so please contact the And Vision Counselor for the latest information.