Musikalp Summer International Music Academy (formerly Courchevel Summer International Music Academy)

■ Workshop period ■

April 2025th, 7- October 31st
Phase 1: July 2025-7, 31
Phase 2: July 2025-8, 11

■ Courses held ■

1st period: piano, violin, viola, cello, flute, oboe, clarinet, horn, harp, guitar
2nd Period: Piano, violin, viola, cello, flute, clarinet, harp, voice

■ Number of lessons ■

Generally, 4-5 private lessons during the period
* If you wish, you can take a chamber music course (if it can be organized locally).
* The number of hours may change depending on the level, number of students, and major of the professor and students.
* Some assistants may give lessons depending on the professor.

■ Audition ■

No principle
* Prior document review is required by the professor.Please contact your And Vision Counselor for more information.

■ Workshop venue ■

Tignes

■ Workshop schedule ■

The course schedule will be decided locally.Please check on-site for details.

<General schedule example>
Day 1: From Japan to Paris by car to your accommodation in Paris (separate accommodation fee)
Day 2: Hotel to Paris TGV station (And Vision local staff will take you from your hotel to the station)
　　　　Get off at TGV Chambery Station and take a bus to your accommodation
　　　　Explanation of precautions at the start of the course
~
Last day of the course: End of the course Stay at TGV station by bus in Paris (separate accommodation fee)
The day after the last day of the course: Local departure
The day after the last day of the course: Arrival in Japan
* Accommodation and TGV fees in Paris are not included in the price.TGV and Paris accommodations can be arranged at an additional charge.

■ Pieces / Number of pieces ■

Free song

■ Practice room ■

Piano and harp can be shared in the practice room (usually about 3 hours)
* Generally, 1 to 3 people are used per room.
* Students of other musical instruments will practice in the hotel room.

■ Concert Opportunity ■

There are many concerts of students selected by the professor.

■ Accommodation ■

Hotel (single room / double room).With meal (morning / evening)
*If you would like a single room, we recommend that you apply early.
*We recommend that you apply early as the hotel may become fully booked depending on the time of application.

■ Accommodation period ■

Check-in: Course start date
Check-out: Course end date
*As a general rule, extended stays and previous nights are not allowed.
* We recommend that you stay in Paris separately on the first day (the day before the start date of the course) and the end date of the course.
* Please contact the And Vision Counselor if you arrive in Paris early in the morning of the second day (the start date of the course) or if you would like to participate late.
*Hotels in Paris can be arranged for an additional fee. If you are staying in Paris for a week or more, we can also arrange a homestay (we can also preview study abroad destinations).

■ Japanese interpreter / local support ■

▽ Local support
・ And Vision local staff will support you by phone (telephone only).
・ And Vision local staff will pick you up at your hotel in Paris and guide you to the train station for the TGV Chambery (use public transport to reach the TGV station. Family travel In some cases, it is possible to arrange a taxi from the hotel to the station at an additional cost).
・ We can also arrange a TGV (Paris-Chambury) ticket for an additional fee.
・ Concerts in Paris can be arranged at an additional charge.

▽ Japanese interpreter during lessons
Please select with or without Japanese interpreter at the time of the lesson.
* Interpreters are available in Japanese and French only.Please note that lessons taught in languages ​​other than French cannot be interpreted.

■ Airport transfer ■

Outbound airport transfer included (from Paris Charles de Gaulle airport to hotels in Paris)
* Return airport transfers from Paris to Paris Charles de Gaulle can be arranged at an additional charge.
* The round-trip bus fare from the TGV Chamberry Station to the workshop venue is included in the price.

■ Professors ■

▼ Phase 1
▽ Piano
Jean-Marie COTTET
(Professor at the Paris Regional Conservatory, France; former professor at the National Supérieure de Musique de Paris, France)

Jerome Grand John
(Professor, National High Conservatory of Music, Lyon, France, Professor, City Conservatory of Paris, France)

Bjorn Lehmann
(Professor, Berlin University of the Arts, Germany)

Laurent Moline
(Professor, Toulouse Conservatory of Music, France)

Romano Parottini
(Professor of the National Conservatoire de Paris, France, Professor of the Saint-Maur-des-Fosse Regional Conservatory of Music, France)

Dennis Pascal
(Professor, National Academy of Music in Paris, France, Former Professor, Rueil-Malmaison Regional Conservatory, France)

Fernando Rossano
(Professor of the National Conservatoire de Paris, France, Professor of the Saint-Maur-des-Fosse Regional Conservatory of Music, France)

Jean-Claude Vanden-Einden
(Professor at Queen Lisabeth College of Music, Belgium; former professor at the Royal Conservatory of Brussels, Belgium)

▽ Violin
Veronique Boger
(Former Professor of the Royal Conservatory of Music in Brussels, Belgium)

Marie Charve
(Professor, National High Conservatory of Music, Lyon, France, Former Professor, Créteil, France)

Yuki Degareille
(Professor at Lausanne Conservatory, Switzerland)

Loran de Galeil
(Professor Emeritus at the Conservatoire National Supérieur de Musique de Paris, France; former concertmaster of the Orchestre de Paris, France)

Natalie Deccan
(Professor, Toulouse Conservatory of Music, France)

Michiko Kamiya
(Associate Professor, Toho Gakuen College, Japan)

Don Su Kang
(Former Professor, Faculty of Music, Yonsei University, South Korea)

Kim Dami
(Assistant Professor, Faculty of Music, Seoul National University, South Korea)

Ivin Li
(Professor, American Manes Conservatory)

Akiko Nanami
(Former Professor of Boulogne-Billancourt Regional Conservatory, France, Former Professor of Aulnay-Sou Bois Conservatory, France)

Christoph Poise
(Professor, National Conservatory of Music, Paris, France, Professor, City Conservatory of Paris, France)

▽ Viola
Emil Cantor
(Professor, Folkwang University of the Arts, Germany)

Marc Demon
(Professor at the Conservatoire National Supérieure de Paris, France; Principal of the Orchester de Radio Française Philharmonie)

Maja Rome
(Lecturer, Faculty of Music, University of Ljubljana, Slovenia)

▽ Cello
Ophélie Gaillard
(Professor at the Geneva Conservatory, Switzerland; former professor at the Versailles Regional Conservatory, France; former professor at the Aulnay-sous-Bois Conservatory, France)

Mathieu Lejeune
(Professor, Saint-Mall des Fosses, France, Assistant Professor, Lausanne, France, Former Professor, Rueille-Marmaison, France)

Philip Muller
(Professor, Manhattan School of Music, USA, Former Professor, National Academy of Music, Paris, France)

Marie Paule Milon
(Professor, Paris Conservatory of Paris, France, Former Professor, Rueil-Malmaison, France)

▽ Flute
Shigenori Kudo
(Professor at the Ecole Normale de Musique de France, Professor at the Tokyo College of Music, Visiting Professor at Showa University of Music, Japan)

▽ Oboe
Yuri Valentin
(Professor, Karlsruhe University of Music, Germany)

▽ Clarinet
Frank candy
(Professor of the Conservatoire de Paris, France; Assistant Professor of the National Conservatoire de Lyon, France; Deputy Principal of the Orchester de la Garde Republicaine, France)

Romantic Guio
(Professor, Geneva University of Music, Switzerland, Chief Orchestra of the Chamber Orchestra of Europe, England)

Manuel Metzger
(Professor at the Boulogne-Billancourt Regional Conservatory, France; Member of the Orchestre Philharmonique de Radio-France, France; Former Professor at the Versailles Regional Conservatory)

Jerome Voisin
(Professor, Boulogne-Billancourt Regional Conservatory, France, Chief of the Philharmonic Orchestra, France-France Broadcasting)

▽ Horn
Jack Durplank
(Professor at the Conservatoire National Supérieure de Paris, France; Professor at the Ecole Normale de Musique, France; Professor at the Conservatoire Supérieure de Friborg in Lausanne, Switzerland; former principal of the Orchester National du Capitole in Toulouse, France)

▽ Harp
Agnes Clement
(Professor at the Royal Conservatory of Brussels, Belgium; Principal of the Royal Belgian Monnaie Opera Orchestra, Belgium)

▽ Guitar
Natalia Lipnitskaya
(Professor, Rueil-Malmaison Regional Conservatory, France)

Judy Frog Perova
(Professor at the Geneva Conservatory in Switzerland, former professor at the Aulnay-sous-Bois Conservatory in France, former professor at the San Francisco Conservatory in the United States)


▼ Phase 2
▽ Piano
Laurent Cabasso
(Professor, Lyon National Conservatory of Music, France, Former Assistant Professor, National Conservatory of Music, Paris, France, Former Professor, Strasbourg Regional Conservatory, France)

Dana Shiokaruri
(Professor of the National Conservatoire de Lyon, France, Professor of the Jacques Ibert Conservatory of Music, 19th district of Paris, France)

Muhiddin Durru Oil
(Professor, Royal Conservatory of Music, Brussels, Belgium)

Olivier Gardon
(Professor at the Ecole Normale in France, former professor at the Schola Cantorum in France, former professor at the Hannover University of Music in Germany, former professor at the Paris Regional Conservatory in France)

Kim Gyu-young
(Associate Professor, Faculty of Music, Seoul National University, South Korea)

Nicola Marate
(Professor, Boulogne-Billancourt Regional Conservatory, France)

Alexandre Mutuskin
(Professor, Manhattan School of Music, USA)

Fernando Rossano
(Professor of the National Conservatoire de Paris, France, Professor of the Saint-Maur-des-Fosse Regional Conservatory of Music, France)

▽ Violin
Ariane Grand John
(Professor, Paul Dukas Conservatory, 12th arrondissement, Paris, France)

Don Su Kang
(Former Professor, Faculty of Music, Yonsei University, South Korea)

Chloe Kifer
(Professor, Manhattan School of Music, USA)

Akiko Nanami
(Former Professor of Boulogne-Billancourt Regional Conservatory, France, Former Professor of Aulnay-Sou Bois Conservatory, France)

▽ Viola
Sanjin Kim
(Professor, Yonsei University, South Korea)

John Stalf
(Professor of the National Conservatoire de Lyon, France, Principal of the French Ensemble Intercontemporin)

▽ Cello
Yong Chang Cho
(Professor at Folkwang University of the Arts, Germany; former professor at Yonsei University, Korea)

Guzavier Gagnepan
(Professor, Boulogne-Billancourt Regional Conservatory, France)

Marie Harlink
(Professor, Royal Conservatory of Music, Brussels, Belgium)

Xenia Jankovic
(Professor, University of Music in Detmold, Germany)

Kim Minji
(Associate Professor, Faculty of Music, Seoul National University, South Korea)

▽ Flute
Mathilde Cardellini
(French-French Broadcasting Philharmonic Orchestra Chief)

Vincent Luca
(Professor at the Conservatoire National Supérieur de Musique de Paris, Professor at the Conservatoire Regionale de Paris, Principal of the Orchestre de Paris, Former Professor at the Schola Cantorum de France)

Heli Yun
(Professor, Faculty of Music, Seoul National University, South Korea)

▽ Clarinet
Frank candy
(Professor of the Conservatoire de Paris, France; Assistant Professor of the National Conservatoire de Lyon, France; Deputy Principal of the Orchester de la Garde Republicaine, France)

▽ Harp
Gabriella d'Alorio
(Professor, Trinity Laban Conservatoire University, England)

▽ Voice
Shantal Mathias
(Professor, National Academy of Music, Paris, France)

■ Qualifications ■

Nothing in particular

■ Price ■

▼ With Japanese interpreter at the time of lesson
▽ Hotel (single room)
1 period: 599,920 yen (606,720 yen including tax)
2 periods (2 consecutive periods): 1,023,290 yen (1,030,090 yen including tax)

▽ Hotel (double room)
1 period: 538,020 yen (544,820 yen including tax)
2 periods (2 consecutive periods): 899,490 yen (906,290 yen including tax)

▼ No Japanese interpreter at the time of lesson
▽ Hotel (single room)
1 period: 540,020 yen (546,820 yen including tax)
2 periods (2 consecutive periods): 903,480 yen (910,280 yen including tax)

▽ Hotel (double room)
1 period: 478,120 yen (484,920 yen including tax)
2 periods (2 consecutive periods): 779,690 yen (786,490 yen including tax)

■ What is included in the price ■

Registration fee, course fee (tuition fee, attendance fee, practice room, accompaniment fee if necessary, selected person concert appearance participation fee, concert viewing fee, completion certificate, etc.), Japanese translation at the time of lesson (if selected) Fees, hotel accommodation, food (morning / evening), airport transfer, chambray-Tigne shuttle bus, support service during your stay (phone only), from hotels in Paris to Gare du Nord train station Pick-up and guidance (using public transportation), overseas international remittance fee, overseas international remittance bank receipt fee, pre-departure support service fee, set discount

■ Clarify some of the items not included in the price ■

Airfare, Japanese translation fee for lessons (if selected), hotel accommodation fee in Paris, TGV transportation fee, return airport transfer fee, overseas travel accident insurance fee, city / outbound travel fee, telephone fee, All personal expenses during free time, etc.

■ Price / Schedule Supplement ■

● Please contact an And Vision Counselor as you may be able to take classes even during the period you have set.
● Depending on the local situation of the new corona infection, online lessons may be offered.Please note that if the course is offered, the fee will be charged excluding accommodation fees.The cancellation policy is based on the terms and conditions.

■ Application deadline ■

First deadline: February 2025, 5, 1, Second deadline: March 2025 6, Third deadline: up to capacity
● Even before the application deadline, the deadline will be closed as soon as the capacity is reached.
● Even after the application deadline, you may be able to apply if there is a vacancy in the course, so please contact the And Vision Counselor.

■Notes■

* If you have an attendant, you will be charged a separate fee such as accommodation.Attendance fees may vary depending on the age of the student.
* If you are a minor, you will generally need to be accompanied, but please contact us.
* Please contact us if you are a group led by sensei.
* Separately, we can arrange a local language school (affiliated school) free of charge.
* Private lessons or group lessons can be arranged separately.
* Please contact an And Vision Counselor for paid rental of musical instruments.
* In addition to the above, please feel free to contact the And Vision Counselor for anything.
* This information is as of December 2025, 03.Information may change depending on the year and local circumstances, so please contact the And Vision Counselor for the latest information.