Musikalp Summer International Music Academy (formerly Courchevel Summer International Music Academy)

■ Workshop period ■

April 2024th - May 7th, 31
Phase 1: July 2024-7, 31
Phase 2: July 2024-8, 11

■ Courses held ■

1st period: Piano, piano accompaniment, violin, viola, cello, flute, clarinet, bassoon, horn, harp, guitar, vocals
2nd period: piano, violin, viola, cello, flute, oboe, clarinet, bassoon

■ Number of lessons ■

Generally, 4-5 private lessons during the period
* If you wish, you can take a chamber music course (if it can be organized locally).
* The number of hours may change depending on the level, number of students, and major of the professor and students.
* Some assistants may give lessons depending on the professor.

■ Audition ■

No principle
* Prior document review is required by the professor.Please contact your And Vision Counselor for more information.

■ Workshop venue ■

Tignes

■ Workshop schedule ■

The course schedule will be decided locally.Please check on-site for details.

<General schedule example>
Day 1: From Japan to Paris by car to your accommodation in Paris (separate accommodation fee)
Day 2: Hotel to Paris TGV station (And Vision local staff will take you from your hotel to the station)
　　　　Get off at TGV Chambery Station and take a bus to your accommodation
　　　　Explanation of precautions at the start of the course
~
Last day of the course: End of the course Stay at TGV station by bus in Paris (separate accommodation fee)
The day after the last day of the course: Local departure
The day after the last day of the course: Arrival in Japan
* Accommodation and TGV fees in Paris are not included in the price.TGV and Paris accommodations can be arranged at an additional charge.

■ Songs / Number of songs ■

Free song

■ Practice room ■

Piano and harp can be shared in the practice room (usually about 3 hours)
* Generally, 1 to 3 people are used per room.
* Students of other musical instruments will practice in the hotel room.

■ Concert Opportunity ■

There are many concerts of students selected by the professor.

■ Accommodation ■

Hotel (single room / double room).With meal (morning / evening)
*If you would like a single room, we recommend that you apply early.

■ Accommodation period ■

Check-in: Course start date
Check-out: Course end date
* As a general rule, you can extend your stay or stay the night before (please contact the And Vision Counselor if you wish).
* We recommend that you stay in Paris separately on the first day (the day before the start date of the course) and the end date of the course.
* Please contact the And Vision Counselor if you arrive in Paris early in the morning of the second day (the start date of the course) or if you would like to participate late.
*Hotels in Paris can be arranged for an additional fee. If you are staying in Paris for a week or more, we can also arrange a homestay (we can also preview study abroad destinations).

■ Japanese interpreter / local support ■

▽ Local support
・ And Vision local staff will support you by phone (telephone only).
・ And Vision local staff will pick you up at your hotel in Paris and guide you to the train station for the TGV Chambery (use public transport to reach the TGV station. Family travel In some cases, it is possible to arrange a taxi from the hotel to the station at an additional cost).
・ We can also arrange a TGV (Paris-Chambury) ticket for an additional fee.
・ Concerts in Paris can be arranged at an additional charge.

▽ Japanese interpreter during lessons
Please select with or without Japanese interpreter at the time of the lesson.
* Interpreters are available in Japanese and French only.Please note that lessons taught in languages ​​other than French cannot be interpreted.

■ Airport transfer ■

Outbound airport transfer included (from Paris Charles de Gaulle airport to hotels in Paris)
* Return airport transfers from Paris to Paris Charles de Gaulle can be arranged at an additional charge.
* The round-trip bus fare from the TGV Chamberry Station to the workshop venue is included in the price.

■ Professors ■

▼ Phase 1
▽ Piano
Laurent Cabasso
(Professor, Lyon National Conservatory of Music, France, Former Assistant Professor, National Conservatory of Music, Paris, France, Former Professor, Strasbourg Regional Conservatory, France)

Jean-Marie COTTET
(Professor at the Paris Regional Conservatory, France; former professor at the National Supérieure de Musique de Paris, France)

Jerome Grand John
(Professor, National High Conservatory of Music, Lyon, France, Professor, City Conservatory of Paris, France)

Bjorn Lehmann
(Professor, Berlin University of the Arts, Germany)

Laurent Moline
(Professor, Toulouse Conservatory of Music, France)

Romano Parottini
(Professor of the National Conservatoire de Paris, France, Professor of the Saint-Maur-des-Fosse Regional Conservatory of Music, France)

Fernando Rossano
(Professor of the National Conservatoire de Paris, France, Professor of the Saint-Maur-des-Fosse Regional Conservatory of Music, France)

▽ Piano accompaniment
Reiko Hoto
(Professor, National Academy of Music, Paris, France)

▽ Violin
Marie Charve
(Professor, National High Conservatory of Music, Lyon, France, Former Professor, Créteil, France)

Yuki Degareille
(Professor at Lausanne Conservatory, Switzerland)

Loran de Galeil
(Professor at the Conservatoire National Supérieure de Paris, France; former concertmaster of the Orchester de Paris, France)

Natalie Deccan
(Professor, Toulouse Conservatory of Music, France)

Ariane Grand John
(Professor, Paul Dukas Conservatory, 12th arrondissement, Paris, France)

Don Su Kang
(Former Professor, Faculty of Music, Yonsei University, South Korea)

Ivin Li
(Professor, American Manes Conservatory)

Akiko Nanami
(Former Professor of Boulogne-Billancourt Regional Conservatory, France, Former Professor of Aulnay-Sou Bois Conservatory, France)

Marianne Piketty
(Professor, National High Conservatory of Music, Lyon, France)

Christoph Poise
(Professor, National Conservatory of Music, Paris, France, Professor, City Conservatory of Paris, France)

▽ Viola
Emil Cantor
(Professor, Folkwang University of the Arts, Germany)

▽ Cello
Yong Chang Cho
(Professor, Folkwang University of the Arts, Germany, Professor, Yonsei University, Korea)

Mathieu Lejeune
(Professor, Saint-Mall des Fosses, France, Assistant Professor, Lausanne, France, Former Professor, Rueille-Marmaison, France)

Philip Muller
(Professor, Manhattan School of Music, USA, Former Professor, National Academy of Music, Paris, France)

▽ Flute
Andrea Oliva
(Professor of the Italiana Conservatory of Switzella, Switzerland, Professor of the National Academia of Santa Cecilia, Italy, Chief of the Orchestra of the National Academy of Santa Cecilia, Italy)

▽ Clarinet
Frank candy
(Professor of the Conservatoire de Paris, France; Assistant Professor of the National Conservatoire de Lyon, France; Deputy Principal of the Orchester de la Garde Republicaine, France)

Romantic Guio
(Professor, Geneva University of Music, Switzerland, Chief Orchestra of the Chamber Orchestra of Europe, England)

Florent HEAU
(Professor at the Conservatoire de Paris, France; Professor at the Conservatoire de Lausanne, Switzerland; former professor at the Rueil-Malmaison Conservatory, France)

Maria Wong
(Lecturer at Hong Kong Music Academy, Hong Kong)

▽ Bassoon
Ludwig Tishus
(Professor at the Conservatoire National Supérieure de Paris, France; Professor at the Cergy-Pontoise Regional Conservatory, France; Member of the Orchestra of the Opéra National de Paris, France)

▽ Horn
Jack Durplank
(Professor at the Conservatoire National Supérieure de Paris, France; Professor at the Ecole Normale de Musique, France; Professor at the Conservatoire Supérieure de Friborg in Lausanne, Switzerland; former principal of the Orchester National du Capitole in Toulouse, France)

▽ Harp
sylvain brussel
(Professor at the Royal Conservatory of The Hague, Netherlands; Assistant Professor at the Lyon National Supérieure de Musique, France; Former professor at the Rennes Regional Conservatory, France)

▽ Guitar
Natalia Lipnitskaya
(Professor, Rueil-Malmaison Regional Conservatory, France)

Judy Frog Perova
(Professor at the Geneva Conservatory in Switzerland, former professor at the Aulnay-sous-Bois Conservatory in France, former professor at the San Francisco Conservatory in the United States)

▽ Voice
Shantal Mathias
(Professor, National Academy of Music, Paris, France)


▼ Phase 2
▽ Piano
Dana Shiokaruri
(Professor of the National Conservatoire de Lyon, France, Professor of the Jacques Ibert Conservatory of Music, 19th district of Paris, France)

Muhiddin Durru Oil
(Professor, Royal Conservatory of Music, Brussels, Belgium)

Olivier Gardon
(Professor at the Ecole Normale in France, former professor at the Schola Cantorum in France, former professor at the Hannover University of Music in Germany, former professor at the Paris Regional Conservatory in France)

Amy Lin
(Professor, Strasbourg Regional Conservatory, France)

Nicola Marate
(Professor, Boulogne-Billancourt Regional Conservatory, France)

Alexandre Mutuskin
(Professor, Manhattan School of Music, USA)

Olivier Pale Brune
(Professor at the Conservatory of Music in Caen, France, former professor at the Maurice Ravel Conservatory in the 13th district of Paris, France)

Bruno Rigutto
(Professor of the Ecole Normale de Music, France, Professor of the French Schola Cantorum, former professor of the Conservatoire National Supérieure de Paris, France)

Fernando Rossano
(Professor of the National Conservatoire de Paris, France, Professor of the Saint-Maur-des-Fosse Regional Conservatory of Music, France)

▽ Violin
Don Su Kang
(Former Professor, Faculty of Music, Yonsei University, South Korea)

Chloe Kifer
(Professor, Manhattan School of Music, USA)

Kim Dami
(Assistant Professor, Faculty of Music, Seoul National University, South Korea)

Akiko Nanami
(Former Professor of Boulogne-Billancourt Regional Conservatory, France, Former Professor of Aulnay-Sou Bois Conservatory, France)

Natori Tamai
(Professor, Tokyo University of the Arts, Japan)

Ayako Tanaka
(Professor at Royal Conservatoire of Brussels, Belgium, Principal of Orchester National de Lille, France)

Wolf Varin
(Professor at the Hanns Eisler University of Music, Germany; Professor at the Vienna State University of Music, Austria)

▽ Viola
Marc Demon
(Professor at the Conservatoire National Supérieure de Paris, France; Principal of the Orchester de Radio Française Philharmonie)

▽ Cello
Guzavier Gagnepan
(Professor, Boulogne-Billancourt Regional Conservatory, France)

Leonid Gorokhov
(Professor at Hannover University of Music, Germany, former professor at Guildhall School of Music, UK)

Marie Harlink
(Professor, Royal Conservatory of Music, Brussels, Belgium)

Xenia Jankovic
(Professor, Detmold College of Music, France)

▽ Flute
Mathieu Dufour
(Professor at the Hanns Eisler University of Music, Germany, former principal of the Berlin Philharmonic Orchestra, Germany)

Vincent Luca
(Assistant professor at the National Supérieure de Musique de Paris, France, professor at the Paris Regional Conservatory, France, principal of the Orchester de Paris, France, former professor at the French Schola Cantorum)

Heli Yun
(Professor, Faculty of Music, Seoul National University, South Korea)

▽ Oboe
Olivier Doise
(Professor, Boulogne-Billancourt Regional Conservatory, France, Professor, Philharmonic Orchestra, France-France Broadcasting)

▽ Clarinet
Frank candy
(Professor of the Conservatoire de Paris, France; Assistant Professor of the National Conservatoire de Lyon, France; Deputy Principal of the Orchester de la Garde Republicaine, France)

Manuel Metzger
(Professor, Boulogne-Billancourt Regional Conservatory, France, Member of the Philharmonic Orchestra, France-France Broadcasting)

Jerome Voisin
(Professor, Boulogne-Billancourt Regional Conservatory, France, Chief of the Philharmonic Orchestra, France-France Broadcasting)

▽ Bassoon
Laurent Lefebvre
(Professor of the National Conservatoire de Paris, France; Professor of the Paris Regional Conservatory of Music, France; Principal of the Orchestra of the National Opera of Paris, France)

■ Qualifications ■

Nothing in particular

■ Price ■

▼ With Japanese interpreter at the time of lesson
▽ Hotel (single room)
1 period: 549,440 yen (556,240 yen including tax)
2 periods (2 consecutive periods): 934,930 yen (941,730 yen including tax)

▽ Hotel (double room)
1 period: 494,170 yen (500,970 yen including tax)
2 periods (2 consecutive periods): 824,370 yen (831,170 yen including tax)

▼ No Japanese interpreter at the time of lesson
▽ Hotel (single room)
1 period: 496,930 yen (503,730 yen including tax)
2 periods (2 consecutive periods): 829,900 yen (836,700 yen including tax)

▽ Hotel (double room)
1 period: 441,650 yen (448,450 yen including tax)
2 periods (2 consecutive periods): 719,350 yen (726,150 yen including tax)

■ What is included in the price ■

Registration fee, course fee (tuition fee, attendance fee, practice room, accompaniment fee if necessary, selected person concert appearance participation fee, concert viewing fee, completion certificate, etc.), Japanese translation at the time of lesson (if selected) Fees, hotel accommodation, food (morning / evening), airport transfer, chambray-Tigne shuttle bus, support service during your stay (phone only), from hotels in Paris to Gare du Nord train station Pick-up and guidance (using public transportation), overseas international remittance fee, overseas international remittance bank receipt fee, pre-departure support service fee, set discount

■ Clarify some of the items not included in the price ■

Airfare, Japanese translation fee for lessons (if selected), hotel accommodation fee in Paris, TGV transportation fee, return airport transfer fee, overseas travel accident insurance fee, city / outbound travel fee, telephone fee, All personal expenses during free time, etc.

■ Price / Schedule Supplement ■

● Please contact an And Vision Counselor as you may be able to take classes even during the period you have set.
● Depending on the local situation of the new corona infection, online lessons may be offered.Please note that if the course is offered, the fee will be charged excluding accommodation fees.The cancellation policy is based on the terms and conditions.

■ Application deadline ■

2024st deadline: April 4, 1 2024nd deadline: May 6, 1 XNUMXrd deadline: up to capacity
● Even before the application deadline, the deadline will be closed as soon as the capacity is reached.
● Even after the application deadline, you may be able to apply if there is a vacancy in the course, so please contact the And Vision Counselor.

■Notes■

* If you have an attendant, you will be charged a separate fee such as accommodation.Attendance fees may vary depending on the age of the student.
* If you are a minor, you will generally need to be accompanied, but please contact us.
* Please contact us if you are a group led by sensei.
* Separately, we can arrange a local language school (affiliated school) free of charge.
* Private lessons or group lessons can be arranged separately.
* Please contact an And Vision Counselor for paid rental of musical instruments.
* In addition to the above, please feel free to contact the And Vision Counselor for anything.
* This information is as of December 2024, 01.Information may change depending on the year and local circumstances, so please contact the And Vision Counselor for the latest information.